A select survey of photogravures representing over a century, with prints dating from as early as 1897 to contemporary prints made in 2023. The earliest print in this exhibition is by Alfred Stieglitz from his 1897 portfolio Picturesque Bits of New York and Other Studies created from a steel plate. The most recent work included in the exhibition are 2023 abstract prints of New Mexico and Patagonia created from polymer plates by Santa Fean Eddie Soloway.

The photogravure is an intaglio print process that, in the early development of photography, was invented to produce high-quality ink reproductions of photographs, featuring deep shadows and luminous highlights. Early photographic pioneers Joseph Nicéphore Niepce and William Henry Fox Talbot invented the process in the 1840s, and then it was perfected in 1879 by Karl V. Klíč. Traditionally, photogravures were photographs that were etched into a metal plate using light sensitive carbon tissue. The plate was then inked and run through a printing press to produce a positive ink print known for its distinctive, luminous tonal qualities. With most contemporary photogravures, the metal plates have been replaced with polymer plates and other less toxic chemicals are used in the process.