Still Beauty is a three-person photographic exhibition representing the beauty found within the cold, quiet, short days of winter

Still Beauty
is a three-person photographic exhibition representing the beauty found within the cold, quiet, short days of winter. The exhibition includes two gallery artists, California-based Brigitte Carnochan and New Jersey-based Michael Massaia, as well as guest artist Jim Bailey, from New Mexico.

Brigitte Carnochan’s series Still Beauty, from which the show derives its title, includes luminous color still lifes that she creates from plants she grows in her garden. Michael Massaia captures the images for his large format gelatin silver prints during quiet hours of the night in Central Park, New York City. In his printing, he adds subtle color through meticulous use of special darkroom toning techniques. Jim Bailey combines the extremes of climbing and ski mountaineering in Norway, France and the United States with photographic artistry, contrasting human interaction with other-worldly landscapes.

The opening reception takes place on Friday, January 27, 2023 from 5-7pm and the show continues through April 1, 2023. Brigitte Carnochan and Jim Bailey will be in attendance at the reception.



One of a Kind II, second annual holiday group exhibition of unique photo based artworks found exclusively at Obscura


Obscura Gallery announces our second annual Winter Holiday exhibition, One-of-a-Kind II, a group show of unique photo-based artworks found exclusively at our gallery. The exhibition consists of six contemporary artists producing one-of-a-kind artworks through various photo-based processes. This year’s exhibit features William Albert Allard (U.S), Angie Brockey (U.S), Coco Fronsac (France), Lori Henson (U.S and Mexico), Erin McGean (Canada), and Robert Stivers (U.S). The exhibition reception takes place on Friday, November 25, from 5-7pm.

In the 21st Century we are most familiar with photography as a medium enabling multiple prints of the same image. Yet many of the photographic processes that were used in the 19th and 20th Century yielded one-of-a-kind prints. In some cases, the processes made a singular print for each exposure; in other cases, the treatment of prints during production led to singular images. Included in this exhibition are 1980’s vintage Polaroid positive prints, contemporary tintypes, early 20th Century gelatin silver prints with contemporary mixed media, photo collage, encaustic, and hand-applied surface texture to gelatin silver prints.




installation image of One of a Kind II

Rania Matar prints from SHE series acquired by Hood Museum of Art at Dartmouth College

We could not be more thrilled and honored to have placed four of Rania Matar’s pieces from the SHE series into the Hood Museum of Art at Dartmouth College. Thank you to all who made this possible and congratulations to Rania Matar!

Rhea S., Piccadilly Theater, Beirut, Lebanon, 2021

Kefa, Gambier, Ohio, 2018

Alae (with the mirror), Beirut Lebanon, 2020

Alae, Khyiam, Lebanon 2019

Rashod Taylor : My America, a solo exhibition addressing themes of family culture legacy and the black experience

Obscura Gallery is excited to present a solo exhibition by fine art portrait photographer Rashod Taylor, which includes his two poignant and sensitive projects, Little Black Boy and My America. Through the use of wet-darkroom printing methods including the 19th Century wet-plate collodion process as well as the enlarging process on gelatin silver paper, the artist uses portraiture to express themes of family, culture, legacy, and the black experience.


Friday, September 23, 2022
4pm – Gallery walk-thru with the artist
5-7pm – Reception with the artist
Please join us in welcoming Rashod Taylor to Santa Fe for the first time and let’s celebrate his solo exhibition!

The exhibition is on view September 23 through November 20, 2022.


Online Zoom interview with Rashod Taylor – learn more about the work in his solo exhibition, My America.



Feature article on Lou Peralta: Deconstructed Portraits in the Pasatiempo

cover article in the Pasatiempo on Lou Peralta

Lou Peralta has been a portrait photographer for most of her life, first in the Mexico City studio her great-grandfather founded in 1910, then, only five years ago, as a fine arts photographer investigating the form — all in service of her search for the true meaning of a portrait and the Mexican identity.

“I have seen many artists do various types of weaving of photographs, or deconstruct photographs,” says Jennifer Schlesinger, owner/director of Obscura Gallery, which hosts the photographer’s first Santa Fe show, “but Lou’s work stood out to me in that she was using her own cultural community as models and focusing on the person themselves to dig deeper into their cultural Mexican heritage.”

On the cover, Lou Peralta, Disassemble #48 (2020), 23 x 22″, archival pigment print with cinnamon and wood strips, edition of 8

Obscura Gallery is excited to present a community book signing event for Taos, New Mexico artist Jonathan Blaustein with his photographic book, Extinction Party (Yoffy Press). This photographic book explores humanity’s over-consumption and its impact on the planet. In an unprecedented time of the Covid-19 pandemic, Extinction Party was (coincidentally and appropriately) released in March 2020 and named one of BuzzFeed News’ best books of 2020. Obscura Gallery held an intimate exhibition during the 2020 book launch, however we are excited to re-present this book again to the public, in post-pandemic times, to give it the honor it deserves. With the photo essay – the images and titles – and the forward essay by Kevin Kwan, as well as the metaphorical story in between, the book could not be a more timely commentary on the current state of our Earth and humanity.

**We invite those who did not have a chance to get their book signed during the pandemic to please bring it to the event to have the artist sign their copy. Books will be available for purchase and signing as well. In addition we will host a raffle offering up a signed copy of the book and special give-aways.

Photograph Magazine Interview with Rashod Taylor – AIPAD Photography Show Edition

Rashod Taylor, Reflection of Me, 2020. Courtesy the artist and Obscura Gallery

Rashod Taylor at Obscura Gallery
Published May 21, 2022
Interview by Jean Dykstra for Photograph Magazine, AIPAD Photography Show Edition

Like many first-time fathers, Rashod Taylor began taking photographs of his son, LJ, when he was born. Eventually, though, he began to think there might be more to the photographs than family snapshots, and he began gently choreographing his (mostly) cooperative son in images that lovingly portray mundane moments from his life. The photographs, which sometimes include Taylor himself or his wife, are tender, intimate images of a Black family raising a Black boy in the United States. “It’s challenging,” says Taylor. Works from the series Little Black Boy are on view at Obscura Gallery’s booth at the AIPAD Photography Show, along with wet-plate collodion images from his series My America.

: How did the series Little Black Boy get started?

Rashod Taylor: I had made pictures of my son for a while. I shot in film, and I’d look at the contact sheets, and I thought the work had something that other people could connect to. Being a Black man raising a Black boy today is challenging, and around this time, I thought about Tamir Rice, who was shot and killed by police, and George Floyd, and all of that made me want to use these images to say something a little bit more.

photograph: They’re beautiful images, and they have the detail and clarity that come from working with a 4×5 view camera. And they are images of tenderness and affection between a father and son, which we don’t see that much.

Taylor: People of color are often portrayed in the opposite light. For me it was important to give a spotlight to what that looks like – the tenderness and love, and how myself and my wife care for our son.

Rashod Taylor, LJ and His Fort, 2020. Courtesy the artist and Obscura Gallery

photograph: You’ve talked about the influence of Sally Mann. Are there other photographers who’ve influenced your work?

Taylor: Sally Mann is the most prominent photographer that focused on her family for so much of her career. Those images just looked so effortless, but she used an 8×10 view camera, so that’s even more of a labor of love. I like the humanity of Gordon Parks, how he talks about letting his pictures be his weapons against poverty and racism. I really take that to heart. I want people to engage with these images in a way that gets the conversation started: How come we don’t see more images of Black boys or Black girls being lifted up?

photograph: Was there a point where you began envisioning the photographs as something more than family photographs, as a project that engaged with themes of racial inequality and social justice and became part of that conversation?

Taylor: There’s a picture of LJ wearing a t-shirt that says Dream Big, but he also had a police officer badge on, and then in the background was this little white girl, and her back is to him. There’s so much going on in that image. A lightbulb kind of went off, and I thought: I think I might have something here.

Rashod Taylor, Tired of Fighting, 2020. Courtesy the artist and Obscura Gallery

photograph: Can you talk about your series My America? What made you decide to use the wet-plate collodion process, which is so labor intensive?

Taylor: I got into wet plate about 10 years ago. I was getting burnt out with digital and wanted to get back to making tangible work with my hands. I saw some work by Joni Sternbach, and I really loved that. Then I took a workshop with Dale Bernstein, and I really I gravitated toward the process. I also enjoy history; understanding that this was the second photographic process after daguerreotypes, and looking at Civil War images and images of families, there wasn’t much representing Black people. It was expensive, and they couldn’t afford it. The few images of Black people were from the war. It was an interesting time: Black people were allowed to fight even though they had no rights. And that’s a theme in American history since then, into World War II, and Vietnam a little bit. So that was an interesting thread, and I love the fact that the wet plate dates back that far.

Rashod Taylor, The Past, 2020. Courtesy the artist and Obscura Gallery

The Photography Show Presented by AIPAD is BACK! This May, 2022!


The photography show presented by Aipad May 20-22

5th Avenue
New York, NY

As a proud member of AIPAD (Association of International Photography Art Dealers), we couldn’t be more excited to be back in bustling New York City this week celebrating photography after a long pandemic break. Now in its 41st edition, The Photography Show presented by AIPAD is the longest running and foremost exhibition dedicated to the photographic medium. In addition to the AIPAD Fair, the city is buzzing with other exciting art events including Frieze New York, VOLTA, I-54, and the ICP Photobook Fest in partnership with AIPAD.

In our AIPAD Booth #107 located on the ground floor at Center415, we are showcasing a selection of eight Obscura Gallery artists who represent a wide span in their individual careers, yet all have in common their unique contributions to the history of the medium. We hope you’ll stop by and visit our booth in which three of our artists will be available throughout the fair to chat with to you about their work: Susan Burnstine, Rania Matar, and Rashod Taylor.

Angie Brockey
Susan Burnstine
Paul Caponigro
Coco Fronsac
Colin Jones
Michael Massaia
Rania Matar
Rashod Taylor

We will also have a selection of fine 20th Century photography available including André Kertész, Edward Weston, Gertrude Käsebier, Imogen Cunningham, Gordon Parks, and many more!



Purchase tickets here.

Please inquire here for more information.