HUGO BREHME, Cuernavaca, Mexico, c. 1920, 13.25 x 10.5″, gelatin silver print.
Obscura Gallery is excited to debut a solo exhibition by Hugo Brehme,
one of the earliest Modern photographers working in Mexico in the early 20th
Century. This photographic exhibition will include photographs and postcards focused on iconic Mexican subjects from that time period including scenic landscapes, colonial architecture, and the everyday life of indigenous peoples. Complementing the work of Hugo Brehme, we will also have a small selection of work by Manuel Alvarez Bravo
, a prominent Modern Mexican photographer heavily influenced by Brehme, as well as Mexican photographer Manuel Carrillo
who resonated his predecessor in the beauty and authenticity of photographing his culture in the mid to later part of the 20th
HUGO BREHME, Amecameca, Mexico, c. 1920's, 13 x 10.25", gelatin silver print.
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Holiday Edition 2020
offers a seasonally curated selection of work for sale, showcasing what our artists have been making during the Covid-19 pandemic in 2020, a sneak peak to upcoming shows in 2021, as well as sharing some fantastic vintage and contemporary photographs we’ve added to our inventory. Click here to read the announcement that includes an in-depth description of the Holiday Edition 2020.
ALINE SMITHSON, Still Life Altered, from Fugue States, 2020, Archival pigment ink print, 16 x 16", edition of 8.
We are offering a fifteen percent discount and free shipping
on any purchases made from this special Holiday 2020 Edition through December 31, 2020. Just use the code HOLIDAY2020
at the checkout on our website. For the works that have a price on request, please inquire with us at here for more information.
CLICK HERE TO VIEW IN DEPTH DETAILS ABOUT OUR HOLIDAY EDITION.
CLICK HERE TO VIEW ALL THE WORKS IN OUR HOLIDAY EDITION 2020
The exhibition features a selection of photographs from Obscura Gallery's contemporary photographers William Albert Allard
and his legendary Vanishing Breed
cowboy book; Kurt Markus’s
poignant cowboy photographs from his three volumes of cowboy books including the seminal After Barbered Wire
; selections from Joan Myers’
recently published Where the Buffalo Roamed
- photographs of the ‘new’ West; and Manuello Paganelli’s
photographs of African American cowboys in the West. In addition, the exhibition will include photographs by legendary 19th Century ranching photographer Laton Alton (LA) Huffman
from Montana, as well as images from one of the first female ranching photographers, Elsa Spear Edwards Byron
. In addition, Brant Mackley Gallery will be exhibiting a selection of Navajo saddle blankets and Northern Plains Indian beadwork from the late 19th
through early 20th
Century as well as other related material.
View the exhibition in its entirety on our Artsy page by clicking here.
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DOUGLAS MILES - LA VIE EN RES
An online exhibition of photography-based media by Douglas Miles, whose work is rooted in Apache history and deeply engaged with the world of contemporary pop culture.
August 13 – September 7, 2020
We are thrilled to present an online exhibition with the photographic work of San Carlos Apache-Akimel O’odham artist Douglas Miles whose artistic work is rooted in Apache history and deeply engaged with the world of contemporary pop culture. Douglas Miles (b. 1963) is a multi-faceted artist working as a designer, filmmaker, muralist and photographer who blends Native history with political resistance. His work encourages reflection on how art can foster community-building and promote pride and well-being, especially among young Native people. The photographs in this online exhibition include portraits of Miles’ community of family and friends taken in San Carlos, Arizona, as well as the places Miles has traveled with his Apache Skateboards team in Utah, Navajo Nation, Los Angeles, Phoenix, AZ and other locations. The exhibition also includes images from the The Black Lives Matter protest in downtown Phoenix, Arizona in June and July of 2020.
DOUGLAS MILES, Bonnie Skates, 2020, 13 x 19", archival pigment ink print, edition of 15.
In coordination with what would have been the busiest month in Santa Fe known worldwide for the celebration of Native American art markets all throughout our city, we had been planning an exhibition of the exciting work of Miles for nearly a year. We had to change our exhibition plan and schedule several times to accommodate the sporadic nature of the Covid pandemic. We hope you will enjoy Douglas' online exhibition, and when the time is right again, we will be honored to have Miles' work grace the walls of our gallery.
DOUGLAS MILES, Bex Paints in the Night, 2019-2020, 13 x 19", edition of 15.
With themes that cover tradition as well as modernity, a major focus in Douglas Miles’ artistic work is on Apache warriors, dancers and musicians. Through these images, he hopes to instill a sense of pride and empowerment in his subjects. Miles sometimes adds the names of important chiefs and warriors to his work in the style of street art, be it hand-cut stencils, murals or graffiti.
DOUGLAS MILES, Faceless Kimono 2019-2020, 13 x 19”, archival pigment ink print, edition of 15
The warrior is an important image in Apache history and their greatness is at times forgotten, even amongst the Apache. I hope to reignite the strength, endurance, leadership and tenacity of the warriors of the past thru art, education and political awareness in all communities. –
DOUGLAS MILES, Breeze Graffiti, 2019-2020, 13 x 19”, archival pigment ink print, edition of 15
Miles developed and founded Apache Skateboards in 2002, a program designed to support the athleticism of skateboarding that emulates the strength, endurance and tenacity of warriors. Since its original inception, the program has expanded to include the arts, education, political awareness and empowerment by connecting mainstream skateboard culture with contemporary Native life. Many of the skateboard designs depict Apache warriors and the youth of the San Carlos Apache reservation on skateboard decks.
The skate team is comprised of women and men so you’ll see them [in the photos] as well.. I’m not an action sports photographer, mainly portraits. My skate team is probably the most innovative group I’ve ever worked with. They’ve used skateboarding as a way to build community and created excitement in Native Youth across Indian Country. – Douglas Miles
DOUGLAS MILES, Off the Reservation 2019-2020, 13 x 19”, archival pigment ink print, edition of 15.
Of his photography he says, I’m in love with the people , the faces, the times and the spirit they convey in each face.… I marry social media platforms and graphics with my photos and other borrowed imagery adding and layering the meanings and messages I want. To use social media the way it’s intended you have to see the world around you as a quick communication platform . Maybe I reclaimed some space but really just not sure if that’s what I’m really doing. I don’t feel I’m reclaiming anything at times . I’m really making my own space in my own image in my own time for my own people. It’s needed. Lack or representation plagues Native people. These photos punch up into those systemic barriers that keep us out of a larger cultural conversation. It’s about time.
Miles enjoys collaboration with other artists in almost all forms of his work and has worked with such artists as actor and author Ethan Hawke and artist Greg Ruth on a New York Times
bestseller graphic novel, Indeh: A Story of the Apache Wars
. He’s also collaborated with actress and artist LivÁndrea Knoki on a selection of pieces with text and image in this exhibition including the Yves Saint Le Res
and the Your Song
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